The Page One Screenplay Festival logo projected above a welcome message.
PAGE ONE... THE STORY BEGINS...
TABLE 01 / MIC OPEN
Page One Indie Screenplay Festival logo

INDEPENDENT SCRIPTS. SHARED OUT LOUD.

PAGE ONEINDIE SCREENPLAY FESTIVAL

Selected indie screenplays move off the submission page and into a live room: a table read and page-led discussion for unproduced work, or a film screening followed by a return to the script.

THE LIVE ROUTE

HOW A PAGE ENTERS THE ROOM

  1. 01
    SUBMITSend the screenplay through FilmFreeway.
  2. 02
    SELECTA chosen project joins a monthly live event.
  3. 03
    READBring unproduced work to the live table.
  4. 04
    SCREENShow the produced result when one exists.
  5. 05
    DISCUSSReturn every route to the screenplay.

BEFORE THE ROOM FILLS

BEFORE THE FIRST LINE

Glasses, fruit, flowers and place settings are prepared before guests arrive. The details matter because the live format depends on a room made for listening—not a results page.

Rows of clean wine glasses on a green garden bar beneath the canopy.
01THE GARDEN BAR BEFORE ARRIVALS
Strawberries, passionfruit and melon arranged for festival guests.
02FRUIT LAID OUT FOR THE GATHERING
A long fruit counter prepared beside the garden.
03THE SHARED COUNTER
A candlelit place setting beneath the bright garden tent.
04A PLACE AT THE LONG TABLE
A communal table prepared with flowers, glassware and vegetables.
05THE TABLE SET FOR CONVERSATION
01SELECTION & ROOM

WHY THE LIVE TABLE MATTERS

THE SELECTION BECOMES A GATHERING

Page One Indie Screenplay Festival runs monthly live events for independent screenwriters. Scripts are submitted through FilmFreeway and selected projects are brought into a shared room. If a screenplay has no produced film, a live table read and an in-depth discussion keep attention on the writing itself. If a film has already been produced, the finished work is screened first and the conversation returns to the screenplay.

Students, amateur writers and professionals meet fellow screenwriters and filmmakers on equal footing. In Slovenia, the festival is experienced as a gathering: the audience listens, asks questions, compares page and screen, and can continue the exchange around the shared table.

SELECTION MECHANICS

FROM SUBMISSION TO LIVE FORMAT

  1. 01

    SUBMIT THE SCREENPLAY

    Writers enter their work through the festival’s official FilmFreeway listing.

  2. 02

    BUILD THE MONTHLY SELECTION

    Selected projects are assembled for a live festival event in Slovenia.

  3. 03

    MATCH THE WORK TO THE ROOM

    No produced film means a table read and script discussion. A produced film means a screening followed by discussion of the screenplay.

A screenwriter in conversation with guests at a garden table.
01A WRITER AT THE TABLE
Festival guests gathering and talking beneath the garden canopy.
02THE ROOM BEGINS TO GATHER
02THE LIVE FORMAT

ONE TABLE / TWO PRESENTATION ROUTES

TWO ROUTES. ONE LIVE TABLE.

Each monthly programme is assembled from selected work. The project’s current form determines what the room encounters first, while the screenplay remains the common reference throughout.

TABLE ROUTE 01

LIVE TABLE READ

SELECTED SCREENPLAY / NO PRODUCED FILM

The written screenplay is brought into the room without requiring a finished film. The live read leads into an in-depth discussion of the project as writing.

  • Hear the work in a shared setting.
  • Keep discussion anchored to the page.
  • Exchange questions with writers and filmmakers.

MONTHLY / SLOVENIA

THE LIVE TABLE

Selected projects, a shared room and the written screenplay as the common point of reference.

READ • WATCH • QUESTION • RESPOND

TABLE ROUTE 02

SCREENING + SCRIPT DISCUSSION

SELECTED SCREENPLAY / PRODUCED FILM EXISTS

The finished film is screened for the room. The conversation then returns to the screenplay to examine how the written work became screen work.

  • Watch the produced result together.
  • Compare page and finished film.
  • Discuss the screenplay after the screening.

EVENT CADENCE

THE SEQUENCE FOLLOWS THE WORK

  1. 01
    OPEN THE WORK

    Establish the selected screenplay and its current form.

  2. 02
    READ & DISCUSS

    For unproduced work, centre the screenplay in a live table read and in-depth exchange.

  3. 03
    SCREEN WHEN PRODUCED

    Watch the finished film when it accompanies the selected screenplay.

  4. 04
    RETURN TO THE PAGE

    Discuss the script after the screening and open the exchange to the room.

INSIDE THE EXCHANGE

LISTENING IS PART OF THE PROGRAMME

Writers sharing a meal and conversation at the live festival.
01LISTEN
Four festival guests in discussion around a candlelit table.
02QUESTION
A guest listening across a candlelit table framed by flowers.
03RESPOND
A festival guest speaking with a member of staff at the table.
04CONTINUE
03AUDIENCE & EXCHANGE

WHAT THE ROOM FEELS LIKE

THE AUDIENCE ENTERS THE PROCESS

Audience members encounter a project in real time rather than as a title in an online list. They hear the table read or watch the film, then stay for a page-led exchange. For selected writers, that means immediate questions from other writers and filmmakers; for guests, it means seeing how a screenplay changes when different people read, hear and discuss it.

The formal conversation sits inside a fuller festival rhythm of arrivals, shared tables, coffee and evening gatherings. A question raised around the screenplay can continue one-to-one after the group discussion.

BETWEEN THE FORMAL MOMENTS

THE CONVERSATION KEEPS MOVING

Two festival guests talking over coffee beside the garden bar.
01COFFEE / CONTINUED EXCHANGE
A warmly lit festival bar with a bartender and rows of glassware.
02THE ROOM MOVES INTO EVENING

AFTER THE DISCUSSION

THE ROOM STAYS SOCIAL

The flower wall records another part of the festival experience: guests meeting, celebrating and remaining together after the page-led conversation.

Three young festival guests posing together against a flower wall.
01TOGETHER AFTER THE PROGRAMME
Three festival guests posing together in front of the illuminated flower wall.
02THE FESTIVAL PORTRAIT
A woman and a young guest making playful surprised expressions at the flower wall.
03A PLAYFUL PAUSE
Three guests posing at the flower wall as the evening celebration continues.
04THE EVENING CONTINUES
Two festival presenters sharing the microphone and reading notes under red and blue stage lights.

THE LIVE ROOM

THE MIC BRINGS THE ROOM BACK TOGETHER

The live programme closes the distance between selected writers, their work and the people responding to it. The screenplay is introduced, heard or screened, and discussed in the same shared space.

04CONFIRMED DETAILS

PLAN YOUR PARTICIPATION

FESTIVAL INFORMATION

CADENCE
Monthly live events.
SELECTED WORK
Independent screenplays, including projects with and without a produced film.
UNPRODUCED WORK
Live table read and in-depth discussion of the written screenplay.
PRODUCED WORK
Live screening of the finished film, followed by screenplay discussion.
PARTICIPANTS
Student, amateur and professional screenwriters in exchange with fellow writers and filmmakers.

CONTACT THE FESTIVAL

CONTINUE THE CONVERSATION

Ask about the live format, a submission or participation in an upcoming edition.

pageonescreenfest@outlook.com

THE NEXT SEAT AT THE TABLE

PUT YOUR SCREENPLAY IN THE ROOM.

SCREENPLAY SUBMISSIONS / FILMFREEWAY

Use the festival’s official FilmFreeway listing to submit the screenplay you want to bring to a future live event.

Submit Your Screenplay