Selected indie screenplays move off the submission page and into a live room: a table read and page-led discussion for unproduced work, or a film screening followed by a return to the script.
SELECTA chosen project joins a monthly live event.
03
READBring unproduced work to the live table.
04
SCREENShow the produced result when one exists.
05
DISCUSSReturn every route to the screenplay.
BEFORE THE ROOM FILLS
BEFORE THE FIRST LINE
Glasses, fruit, flowers and place settings are prepared before guests arrive. The details matter because the live format depends on a room made for listening—not a results page.
01THE GARDEN BAR BEFORE ARRIVALS
02FRUIT LAID OUT FOR THE GATHERING
03THE SHARED COUNTER
04A PLACE AT THE LONG TABLE
05THE TABLE SET FOR CONVERSATION
01SELECTION & ROOM
WHY THE LIVE TABLE MATTERS
THE SELECTION BECOMES A GATHERING
Page One Indie Screenplay Festival runs monthly live events for independent screenwriters. Scripts are submitted through FilmFreeway and selected projects are brought into a shared room. If a screenplay has no produced film, a live table read and an in-depth discussion keep attention on the writing itself. If a film has already been produced, the finished work is screened first and the conversation returns to the screenplay.
Students, amateur writers and professionals meet fellow screenwriters and filmmakers on equal footing. In Slovenia, the festival is experienced as a gathering: the audience listens, asks questions, compares page and screen, and can continue the exchange around the shared table.
SELECTION MECHANICS
FROM SUBMISSION TO LIVE FORMAT
01
SUBMIT THE SCREENPLAY
Writers enter their work through the festival’s official FilmFreeway listing.
02
BUILD THE MONTHLY SELECTION
Selected projects are assembled for a live festival event in Slovenia.
03
MATCH THE WORK TO THE ROOM
No produced film means a table read and script discussion. A produced film means a screening followed by discussion of the screenplay.
01A WRITER AT THE TABLE
02THE ROOM BEGINS TO GATHER
02THE LIVE FORMAT
ONE TABLE / TWO PRESENTATION ROUTES
TWO ROUTES. ONE LIVE TABLE.
Each monthly programme is assembled from selected work. The project’s current form determines what the room encounters first, while the screenplay remains the common reference throughout.
TABLE ROUTE 01
LIVE TABLE READ
SELECTED SCREENPLAY / NO PRODUCED FILM
The written screenplay is brought into the room without requiring a finished film. The live read leads into an in-depth discussion of the project as writing.
Hear the work in a shared setting.
Keep discussion anchored to the page.
Exchange questions with writers and filmmakers.
MONTHLY / SLOVENIA
THE LIVE TABLE
Selected projects, a shared room and the written screenplay as the common point of reference.
READ • WATCH • QUESTION • RESPOND
TABLE ROUTE 02
SCREENING + SCRIPT DISCUSSION
SELECTED SCREENPLAY / PRODUCED FILM EXISTS
The finished film is screened for the room. The conversation then returns to the screenplay to examine how the written work became screen work.
Watch the produced result together.
Compare page and finished film.
Discuss the screenplay after the screening.
EVENT CADENCE
THE SEQUENCE FOLLOWS THE WORK
01
OPEN THE WORK
Establish the selected screenplay and its current form.
02
READ & DISCUSS
For unproduced work, centre the screenplay in a live table read and in-depth exchange.
03
SCREEN WHEN PRODUCED
Watch the finished film when it accompanies the selected screenplay.
04
RETURN TO THE PAGE
Discuss the script after the screening and open the exchange to the room.
INSIDE THE EXCHANGE
LISTENING IS PART OF THE PROGRAMME
01LISTEN
02QUESTION
03RESPOND
04CONTINUE
03AUDIENCE & EXCHANGE
WHAT THE ROOM FEELS LIKE
THE AUDIENCE ENTERS THE PROCESS
Audience members encounter a project in real time rather than as a title in an online list. They hear the table read or watch the film, then stay for a page-led exchange. For selected writers, that means immediate questions from other writers and filmmakers; for guests, it means seeing how a screenplay changes when different people read, hear and discuss it.
The formal conversation sits inside a fuller festival rhythm of arrivals, shared tables, coffee and evening gatherings. A question raised around the screenplay can continue one-to-one after the group discussion.
BETWEEN THE FORMAL MOMENTS
THE CONVERSATION KEEPS MOVING
01COFFEE / CONTINUED EXCHANGE
02THE ROOM MOVES INTO EVENING
AFTER THE DISCUSSION
THE ROOM STAYS SOCIAL
The flower wall records another part of the festival experience: guests meeting, celebrating and remaining together after the page-led conversation.
01TOGETHER AFTER THE PROGRAMME
02THE FESTIVAL PORTRAIT
03A PLAYFUL PAUSE
04THE EVENING CONTINUES
THE LIVE ROOM
THE MIC BRINGS THE ROOM BACK TOGETHER
The live programme closes the distance between selected writers, their work and the people responding to it. The screenplay is introduced, heard or screened, and discussed in the same shared space.
04CONFIRMED DETAILS
PLAN YOUR PARTICIPATION
FESTIVAL INFORMATION
CADENCE
Monthly live events.
SELECTED WORK
Independent screenplays, including projects with and without a produced film.
UNPRODUCED WORK
Live table read and in-depth discussion of the written screenplay.
PRODUCED WORK
Live screening of the finished film, followed by screenplay discussion.
PARTICIPANTS
Student, amateur and professional screenwriters in exchange with fellow writers and filmmakers.